a5c7b9f00b In 1999, in Japan, there is a mysterious accident with the reactors of the Janjira nuclear power plant and the engineer Joe Brody loses his wife Sandra Brody and her team that were inspecting the reactor. Joe never accepts the official explanation for the accident. Fifteen years later, his son, the US Navy Officer Ford Brody, learns that Joe has trespassed in Janjira quarantine area and is arrested in Japan. He travels to Japan to release his father and they go to the Janjira facility area to retrieve Joe's data and pictures. Soon they discover the truth about the accident, caused by a "Massive Unidentified Terrestrial Organism" ("MUTO") that eats radiation trapped underground. The MUTO escapes from the secret facility to Honolulu killing Joe. Godzilla is also awakened, causes a tsunami in Hawaii and fights against the MUTO destroying Honolulu. Meanwhile a female MUTO escapes from the Nevada nuclear waste facility and destroys Las Vegas, heading to breed with the first MUTO in San Francisco. Now the last hope on Earth is Godzilla fighting and destroying the MUTO's.
The world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.
First off, the ten star reviews are completely out of hand and I would take any of them with a grain of salt. Godzilla a perfect movie? Stop. Just stop.<br/><br/>For all the attention and detail paid to the monsters in this film, (oh, and Godzilla is big, bad and beautiful), the focus on making the humans believable is so dull and blurry it has the effect of making you feel drugged. Unpleasantly, hospitalized drugged. Even the strongest performance in the film, courtesy of Bryan Cranston, of course, is pretty much one emotion, angrily maudlin. And once the semi-relatable anchor of this performance is pulled up, way too early, this ship sinks faster than a tugboat in a MUTO&#39;s wake. Our lead is boring and unremarkable and when he puts on a military uniform he blends into the background, indistinguishable from the other soldiers who barely speak. And Ken Watanabe&#39;s scientist stumbles, mumbles and stares into space offering up barely there advice that isn&#39;t heeded by anyone and who can blame them? He seems drunk.<br/><br/>Director Edwards may have wanted to take his eyes off the storyboards and CGI rendering Macs for just a second to go over the actual script a little more. Clunky dialogue, leaps in logic and plot holes you could pilot an Akula through bring new meaning to incoherent. There are so many head-scratchers in this my scalp was raw. My favorite, being a resident of the Bay Area, is when it&#39;s pouring apocalyptic rain in San Francisco, Oakland is somehow bright and sunny. Now, I know we have some micro-climates here but, really? The 5 stars come from the monsters themselves. While the MUTOs are sort of unimaginative, a cross between the Cloverfield monster and the bugs from Starship Troopers, they are damn believable and have weight and presence on screen. Godzilla is incredible and a sight to behold when the cameras aren&#39;t constantly cutting away.<br/><br/>This was a real wasted opportunity and I am disheartened to learn that Edwards is helming one of the Star Wars films as I was hoping that series was going to bring back the attention to characters. Sadly, it seems not.
SPOILERS!!! Now, I have nothing wrong with an action film, in fact, I love them! But, with these big name actors that are known for their acting, I expected a little more drama to this film, rather than seeing a giant lizard try and fight a huge pregnant bat and its hubby for 2/3rds of the film. The acting from Cranston was brilliant though, from what it was anyway before he died pretty suddenly in a not so heroic way. In a way the story made a lot of sense and was clearly put in a lot of effort from the whole cast and crew, and many props to them for not actually killing off the big man himself, Godzilla of course not Taylor-Johnson. Overall, in a film where there was a lot of drama and not much acting, the money was well spent (all $160 million of it)And, well, if anyone deserves an award its Godzilla, that&#39;s all I&#39;m gonna say on the matter.
While many people might want to go to the cinema to see Godzilla, what they get instead is a load of homosapiens desperately trying to put a human face on the drama.
No, this is a reboot of the Japanese Godzilla series from 1954. This film has no connections with the previous American remake. Godzilla will have several battles with the MUTO (Massive Unknown Terrestrial Organism) monster pair. There are scenes taking place in the Philippines, Japan, Hawaii, San Francisco, California, Nevada and Las Vegas. There are also some scenes that happen on the Pacific Ocean. &quot;Kyrie&quot;, from György Ligeti&#39;s Requiem (1965). It was also featured most famously in Kubrick&#39;s 2001 A Space Odyssey in a few scenes and was most famously the music played right before Bowman enters the wormhole. The budget was stated and is understood to be 160 million USD. This movie was filmed in 2D and utilized stereoscopic 3D conversion in post by the company Stereo D, LLC. This is the same company who converted big creature films Jurassic Park 3D and Pacific Rim. The designers of the opening titles probably wanted to have some fun with the theme of secrecy that&#39;s evident throughout the film so they created the credits to reflect that spirit. A full list of them, including the redacted words, can be read here.
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